apply a LUT to a node, and it is applied after any corrections applied to that node.Īs slickly as multiple Lumetri instances work now, this isn't an issue. In Pr, that means using the Creative tab slot, and using the Basic tab to make the necessary corrections to get a neutral tonal image through the LUT. Real media is never that precisely and tightly controlled, so as Van Hurkman and about everyone else (including camera manufacturer's) teach, you install a tech/conversion LUT in the viewing chain, then correct the media into that LUT with corrections prior to the LUT itself. such tech LUTs are "built" carefully using the perfectly exposed, contrast, and color-balanced camera/lighting setups of precise studio work. I use them less in the Basic tab's input slot, as realistically, any tech LUT for normalizing say LOG material should be processed following the application of the tonal controls in the Basic tab.
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